His 1931 novel The Glass Key was obviously a favorite of Paramount Pictures; they had released a film adaptation in 1935 with George Raft in the lead, but it’s the 1942 version with Alan Ladd and Veronica Lake that’s the best known adaptation and a benchmark in the burgeoning film noir genre.
Now bearing her stage name, Lake would become one of Paramount’s top stars with films like Sullivan’s Travels (1941), I Married a Witch (1942), and The Glass Key (also 1942), the latter of which starred Alan Ladd.
On top of the titles already mentioned, Universal is the only studio with a substantial Noir catalog that is virutally untapped. "The Glass Key" & "The Blue Dahlia" anybody? ....and where are the remaining Billy Wilder titles? I would love to see them make a new boxset of his films (minus Double Indemnity). This would include "Five Graves to Cairo", "The Major and the Minor" (already released ...
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